Painting & Illustration

Illustrations by Arlo Blackthorn under the moniker "ZF"

[Blood & Honey]

This body of large format gouache and watercolor illustrations take on a particular conversation about body and identity. Blood and Honey explore my relationship to my body, physical and mental disability, queerness and sexuality, and how they all tie into a sense of attempting to escape the feeling of “not belonging”. With the use of malachite, blood, honey, and sticky fruit of the gods I explore the feeling of alienation. Divining a queer soul that lusts guilty through the feelings of lacking ‘usefulness’ as a body and how best one can try to defy that notion. Through the use of gold and strong symbolic imagery I try to elevate these concepts to a state of holiness. I will belong, I will love, I will continue to flourish through blood and honey, I will not apologies for my own power as a vessel of life.

Loving You Was Like Pulling Teeth

"Loving You Was Like Pulling Teeth" Ink, Silver, Marker, Pencil on Paper, 30"x24", 2016


Fibers


Exoskeleton: You Cannot Return to the Dirt

Textile cicada sculpture with pastel blue, pink, and white colors, created from fabric, beads, and embroidery. The cicada is positioned as if emerging from the ground, surrounded by soft, colorful textures that evoke a sense of transformation and renewal. The environment is bright and inviting, conveying a hopeful and reflective emotional tone.
“Exoskeleton”explores through the medium of textile art the complexity of holding nostalgia for a time that holds much pain; to lay bare the feeling of growing up queer and disabled, in a body that has never been yours. Like freshly shed skin, I expose the complexities of false memories and the never ending need to change, to escape. I mix textile collage of fabrics from clothing owned by family members, owned by me, things I can never put on my body again because of the weight of the thing I experienced seeped in that cloth. I combine this with bead work and embroidery to outline the cocoon of memories, such as lovingly stitching my childhood room’s wall paper, or hand beading the emotions of memories. I meld my mind and body, the feel of a cicada nymph's too tight exoskeleton that must be shed to move on. I try to express the feelings of crawling from the dirt that you knew as home to grow and change into something new, something you must be. A struggling attempt to reclaim my mind and body as my own, to break from my past, to be new like a fresh cicada in the morning dew. Through a colorful explosion I share the notion that pain is not always best expressed by darkness, but rather with the bright color of a child's memory.

Title - "Evil Eye for an Evil Eye"

Medium - Vintage glass beads, embroidery floss, pva glue, polyester thread on cotton blend fabric.

Size - Varied (between 3"x3" and 6"x10" approximately)

Year - 2024

Other Fibers

"Let me Peacock For You" mixed media textile garment, 2024 | Exhibited in "Heavenly Bodies, Divine Minds", Queer Arts Featured, San Francisco, CA, 2024

“The Weight of Sentimental Greed” Mixed media textile garment, 2023 | Exhibited in "Kaleidoscope", The Academy SF, San Francisco, CA, 2023 | "Exoskeleton: You Cannot Return to the Dirt", ATA Window Gallery, San Francisco, CA, 2024

“Night Light,” Embroidery Floss and Glass Beads on Hand Dyed Muslin, 22” x 17”, 2023-2024 | Featured in Exoskeleton: You Cannot Return to the Dirt, ATA Window Gallery, San Francisco, CA, 2024